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(The victim is shown later, beaten up, but it’s unclear if The Motherfucker followed through on his threat.) The constant speeches by seemingly every character that insist “this is the real world” and “there are consequences” to violence end up feeling like lip service when we’re supposed to laugh off an attempted rape, but actually recoil in horror after it may have occurred. It’s as if the only lives that are important are those directly related to the main characters, while the rest are fair game - as victims or perpetrators - for any manner of pain the filmmakers can imagine inflicting. Immediately after The Motherfucker threatens a female hostage with the horror of sexual assault, his lieutenant Mother Russia (Olga Kurkulina) walks into the middle of a suburban street and executes 10 police officers by gun, fire, and lawn mower. It’s that Wadlow, as writer and director, can’t keep straight the difference between comic book spectacle and true destruction. The problem isn’t that it fully takes advantage of its R rating to maximize the intensity of the action and make every blow sound and feel as bone-crunching as possible. The Motherfucker is a good guy “turned evil” by Kick-Ass’ defeat of his crime-boss father, and he not only pits himself against Dave, but assembles an army of criminals as his minions.īut the film makes an unconvincing case as it tries to have its cake and eat it too. Nolan’s films tapped into the concept of escalation, and in the world of Kick-Ass, where superheroes are quite literally inspired by their comic book predecessors, Wadlow’s film highlights the evolution of an opposing force. Not unlike how The Dark Knight further developed ideas that were introduced in Batman Begins, Kick-Ass 2 intends to use the first film as the foundation for a deeper discussion about the divide between wish-fulfillment heroism and the cost of doing good in a world plagued by actual evil. But Chris D’Amico (Christopher Mintz-Plasse) blames Kick-Ass for the death of his father, and the former Red Mist recasts himself as the world’s first supervillain - The Motherfucker - and recruits a rogue’s gallery of “heavy hitters” to help him exact murderous revenge.
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Gravity ( Scrubs’ Donald Faison) and his buddy Marty, now dubbed Battle Guy (Clark Duke of The Office). After she turns him down in order to contend with the villainy of her “mean girl” classmates, Dave joins a small group of like-minded do-gooders, including Jim Carrey’s Colonel Stars and Stripes, Night Bitch (Lindy Booth), Dr. Although he’s officially retired from his days as a masked vigilante, Dave repeatedly tries to convince former comrade Hit Girl (Chloë Grace Moretz) to team up with him to fight crime. In fact, certain scenes from Kick-Ass 2 left Jim Carrey with deep feelings of regret shortly after the cameras stopped rolling.Aaron Taylor-Johnson ( Savages) once again plays Dave, the high schooler who introduced the world to real-life superheroes when he created his alter ego, Kick-Ass. The legendary actor proved a valuable addition to the cast, though his feelings about the entire production were less than positive in hindsight. Kick-Ass 2, while not nearly as revered or monetarily successful, still has its merits, including the introduction of Jim Carrey as Sal Bertolinni a.k.a. Naturally, this meant that the story of everyday costumed vigilantes was due for a sequel, and by 2013 it became a reality. The first film based on the Image Comics title hit the big screen in 2010, and what a success it was.Īs gory and profane as the source material, Matthew Vaughn's Kick-Ass performed well with critics and at the box office - earning a 76% critics score on Rotten Tomatoes, and raking in just over $96 million against a $30 million budget. This opened the door for more exploration of stories outside the mainstream DC and Marvel catalog, including an adaptation of Mark Millar and John Romita Jr.'s Kick-Ass continuity. After a mixed bag of missteps like 1997's Batman and Robin and home runs such as 2002's trilogy-spawning Spider-Man, costumed heroes had finally gotten their act together at the cinema. Thanks to the success of the Dark Knight trilogy and the burgeoning Marvel Cinematic Universe, the superhero genre began its renaissance in the early 2010s.